You are here:About>Electronics & Gadgets>Computing Center> Peripherals> Headphones> Music to Your Ears
About.comComputing Center

Music to Your Ears

Got the blues because your pricey audio player came with crummy earbuds? Our favorite replacement headphones will jazz up your listening.

Richard Baguley

Richard Baguley is a freelance technology writer based near San Francisco. Say what you will to him: When he's wearing his headphones, he can't hear you.

Photograph by Chip Simmons.
Photograph by Chip Simons
We hate to break it to you, but the headphones that came with your fancy new portable music player probably sound awful. Even companies that spend big money designing players to produce the best possible sound often skimp on the quality of the headphones they toss into the box.

You don't have to settle for less. If you replace the bundled headphones with a better set, the improvement can be staggering, restoring crisp beauty to formerly muffled music. And the new set will do an excellent job of reproducing audio from laptop or desktop PCs as well.

For this review, we examined six models that cover the ear and six units that sit in or next to the ear; these span a wide range of prices (from $8 to $400). Most over-the-ear models use a headband to hold the speakers in place (except the Koss KSC75 set, which clips over the ears). The over-the-ear units can be big and bulky, but a few fold or flatten for quick storage.

The in-the-ear models are smaller and easier to carry on a trip. They come in two types: earbud and ear-canal. Many portable music players ship with a pair of earbuds in the package; none offer the superior ear-canal type.

Personal preference generally governs the choice of headphone. Although typically you can't try in-the-ear models before buying, you can approximate the ear-canal experience using cheap foam earplugs. Try wearing them for a few hours--if you don't find them uncomfortable, you should be fine with a pair of in-the-ear headphones.

We selected a Best Buy in each of our two headset categories. Bose's TriPort was our favorite over-the-ear model, while Etymotic Research's ER-6isolator took top honors for in-the-ear headphones.

  • Over-the-Ear Headphones
  • In-the-Ear Headphones
  • Noise Cancellation 101
  • Over-the-Ear Headphones

    AKG K26P

    2.5 stars $40

    AKG K26P
    Photograph by Kevin Candland
    The K26P set has several hinges for folding into a small space. This industrial look has a downside, however: During adjustments hair tended to get tangled in the clasps, and the headphones pinched the scalp. Though the closed style of the set's earpieces produced good sound isolation, they generated lackluster, muffled sound, with overly strong bass that drowned out the midtones.

    Bose QuietComfort 2

    2 stars $300

    Bose QuietComfort 2
    Photograph by Kevin Candland
    Bose's battery-powered QuietComfort 2 headphones set employs an active noise-cancelling system to reduce low-frequency noises such as those made by engines and PC fans. When switched on, the system did a very creditable job of eliminating stray sounds, reducing background noise to much more comfortable levels. But it didn't block high-frequency noise well.

    The set won't work even as normal headphones without battery power. To be fair, the batteries lasted over 30 hours in our tests, and you get a low-charge warning (a flashing LED) when you have only a few hours of battery life remaining. Be sure to pack extra batteries on a long trip, because the ability to block noise is the only really commendable thing about these headphones. They produced flat and muddy bass tones and clipped high tones. This poor sound quality may be a result of the noise cancellation, but as you can't listen to music without the feature turned on, there's no way to tell. And at $300, this set isn't cheap (although it does come with a nice carrying case and an airline headphone adapter).

    Bose TriPort

    4 stars $150

    Bose TriPort
    Photograph by Kevin Candland
    Although our testers had mixed opinions about most of the headphones, they all liked the Bose TriPort. And it's easy to see why: The speakers fitted comfortably over everyone's ears and they sounded great, with sharp, clear trebles. Bass notes were smooth and rounded, with the feel of a large, open room. The headphones were a little on the quiet side--at the same volume setting, less sound came out of these speakers than on some other models. But they can handle plenty of volume if you like it loud, as well, and they block a lot of background noise without clamping down too tightly around your ears.

    A couple of minor annoyances: The ear cushions occasionally made a crinkling noise when they moved (especially on testers who wear glasses), and there was a lot of leakage (the person sitting next to you might not share your taste in music). The TriPort is also a bit large: It can't fold up, and it doesn't come with a carrying case. Nevertheless, this is a solid pair of headphones for anyone who doesn't mind the extra bulk.

    Koss KSC75

    3.5 stars $15

    The KSC75 set takes a different approach to over-the-ear design: Two clips hold the headphones in place behind the ears. This can be a definite plus for people who have hairstyles that aren't headband friendly or who don't care for headbands. Also, the KSC75 stays in place reasonably well once properly seated.

    Koss KSC75
    Photograph by Kevin Candland
    At just $15--the least expensive over-the-ear model we tested--the KSC75 set sounded surprisingly good, with decent bass response and reasonable (though slightly muted) treble. Leakage is this model's weakest point: The KSC75 doesn't block out ambient sound, and anyone near you can hear your music almost as clearly as you can. These headphones are not meant for everybody. Thrash metal enthusiasts, for example, should opt instead for a large pair of enclosed headphones--especially if you sit next to other people on the bus.

    Koss KTX Pro1

    3 stars $20

    Koss KTX Pro1
    Photograph by Kevin Candland
    Several testers found the KTX Pro1 set the most comfortable of the small over-the-ear headphones, thanks to a unique sling on the headband that keeps it from pinching the scalp. The speakers stayed firmly in place without too much pressure--suitable for long road trips or flights.

    But the headphones' open style keeps them from blocking ambient noise, and they leak a lot. We clearly heard the music from a couple of feet away even when it played at a low volume setting.

    Like the Koss KSC75 headphones, the KTX Pro1 sounded good, with rounded, full bass. We heard some slight distortions to high-pitched sounds, though (such as high-hat cymbals), and high voices sounded a bit hissy and rough. You get no carrying case, but the headphones do come with a built-in volume control and a quarter-inch plug adapter.

    Sennheiser PXC250

    4 stars $130

    Sennheiser PXC250
    Photograph by Kevin Candland
    The PXC250 headset uses Sennheiser's NoiseGard active noise-cancelling technology, which does a good job of blocking repetitive low- and midfrequency noise but is less effective with high-pitched noise. Though you can choose to listen without the noise-cancellation feature, it amplifies the audio substantially. We also noticed a slight (but annoying) hiss in the background when the noise cancelling was active. Unlike the Bose noise-reduction set, this model still works (albeit without noise cancellation) if you remove the two AAA batteries, or if they die.

    And the PXC250 generates pretty respectable results, producing clear, well-balanced audio. The bass sounded a little weak, but turning on the noise-reduction feature boosted the output somewhat and added warmth and extra volume to the sound.

    The noise-reduction circuits are located in a cigar-shaped box on the cable, which adds bulk and the potential for tangles. But the headphones fold up for convenient storage, and Sennheiser includes a nice case as well as quarter-inch and airline adapters. A similar set of headphones, the PX200, uses the same speakers but lacks the noise-reduction capability; it costs merely $40.

    In-the-Ear Headphones

    Etymotic ER-4 MicroPro

    3.5 stars $220

    Etymotic ER-4 MicroPro
    Photograph by Kevin Candland
    The Etymotic Research ER-4 MicroPro set has been around for several years, but it is still a great pair of headphones. We found it produced well-balanced, clear sound with plenty of bass and presence, while preserving the subtle, high-frequency details that make music come alive.

    On our test track of a Ry Cooder guitar solo, the sound of the guitar pick sliding across the bass strings was so clear it seemed as if Ry were sitting right next to us. The ER-4 also provided the best sound isolation of any headphone set in this review: We could barely hear the loud rumble of a nearby ferry engine while wearing it. But for best results you must place the pieces pretty deep and tightly in the ears, a position that many users may find uncomfortable. Still, if you can tolerate foam earplugs, you'll like these headphones a lot.

    Etymotic ER-6isolator

    4 stars $120

    Etymotic ER-6isolator
    Photograph by Kevin Candland
    Etymotic produces two versions of the ER-6 headphones: the standard black model and the white ER-6isolator, which the company designed specifically for use with Apple's IPod. Both of these small and well-designed in-the-ear headphone models produced strong, clear sound with crisp trebles. However, the bass was a little thin, lacking some of the body and depth that we heard on the ER-4 and Shure headphones.

    The two Etymotic models have slightly different characteristics: The 6isolator is a little less apt to impede the flow of sound signals, making the set easier for a portable player to drive. It also had a slightly better bass response, with the music sounding a bit fuller in our informal tests.

    We have a few gripes with this model, but not about the sound quality. First, Etymotic supplies only two pairs of tips with each set: one soft rubber and the other foam, which may not suit everyone. Other makers of ear-canal headphones ship their products with a much larger variety of tips for different ear sizes. We also thought the cable leading to each earphone looked a little thin and fragile. Despite those reservations, however, this is a terrific set of headphones that produces good sound. And at $120, it's a great value for the money.

    Koss KSC9

    2 stars $15

    Koss KSC9
    Photograph by Kevin Candland
    The KSC9 set has an innovative design, with what Koss calls a Sportclip--it fits over each ear to hold the headphones in place, making them look rather like a mutated Bluetooth headset. The headphones sit pretty comfortably and snugly on the ears, however, and despite their odd shape aren't likely to fall out even during vigorous exercise.

    Unfortunately, the headphones' sound quality gave us less to cheer about: We found weak bass and a general lack of presence. Compared with the performance we got out of the other in-the-ear models, the KSC9's music sounded as if it were being played behind a curtain. Go for a well-fitting set of earbud headphones instead.

    Sennheiser MX300

    3 stars $8

    Sennheiser MX300
    Photograph by Kevin Candland
    We didn't expect much out of the least expensive pair of earbuds; but the MX300 set exceeded our expectations easily, producing good sound with deep bass and clear midtones. One slight disappointment: The bass was a little overpowering, washing out subtle details at times. But some listeners may like their bass that heavy.

    Each earbud fit well, with or without the foam cover. Even testers who had problems with other earbud-style headphones discovered that the Sennheiser pieces sat comfortably and stayed in place. The MX300 pair seems well suited to situations where you want to retain some ability to hear ambient sounds, such as when you work in the garden.

    Shure E4c

    4.5 stars $300

    Shure E4c
    Photograph by Kevin Candland
    Shure's newest addition to its line of high-end ear-canal headphones, the E4c, issued strong audio, with deep, round bass and accurate treble. At $300, the set had better sound amazing, and it didn't disappoint--but it didn't have quite the range of the company's more expensive E5c model.

    The E4c earpieces fit comfortably and come with a variety of tip sizes. One interesting touch: Shure designs its earphones so that you can wear them either with the cables looped over the top of the ears or in more conventional fashion with the cables dangling down.

    No matter which way we wore them, the E4c earpieces were easy to fit into the ear canal, and when properly inserted blocked most ambient noise, producing a quieter environment than either of the noise-cancelling over-the-ear headphones we evaluated.

    Shure E5c

    4 stars $400

    Shure E5c
    Photograph by Kevin Candland
    The Shure E5c headphones are designed for professional musicians, so it's not surprising that they generate great sound. One of our test music clips, Shirley Bassey's rendition of the classic tune "Big Spender," seemed especially appropriate for evaluating this $400 set, but you get a lot for your money: The E5c produced the best sound of all the in-the-ear models, with deep, booming bass and bright, sharp trebles that sounded as good as those of any of the over-the-ear models we tested.

    But these pieces are a hassle to fit: Several of our testers had problems trying to seat them properly inside the ear canal, even though Shure supplies several different-size tips (including foam and flanged-rubber ones) and even gave us some additional tips.

    Once you loop the cables over your ears, though, the pieces aren't going anywhere. It's a pain to put them on, but once they're on, they stay in place. Another nice design touch: The headphones sit flat against your ears and don't stick out, so you can lie down while you listen without fear of damaging the pieces.

    One note of caution: Some portable music players may not be powerful enough to drive these headphones. We tested them with a variety of hard-drive audio players, however, and experienced no difficulties. If you run into any problems, you (or your personal assistant) can locate several models of portable amplifiers that will boost the signal.

    Noise Cancellation 101

    Few things annoy people more than the din inside an aircraft--except, perhaps, being stuck on a noisy plane between a snoring executive and an unhappy child. That's precisely why the makers of headphones tend to advertise in in-flight magazines; they know that, after a couple of hours, you'll be desperate for a little peace and quiet.

    Headphones that promise to block outside noise do so in one of two ways: passively or actively. Passive headphones rely on the fact that sticking things in your ears makes it harder for noises from the outside to penetrate. In-the-ear headphones such as the Shure E4c and the Etymotic ER-6isolator fit like earplugs, sealing the ear canal tight so sounds can't get in.

    Active noise-cancelling headphones go a step further: They "listen" to the environment and create an inverse sound that (in theory) cancels background noise. The air pressure waves that make up sound, like waves in water, have peaks and troughs; an inverse sound has peaks where the ambient sound has troughs, and vice versa.

    We received mixed results with both of the active noise-cancelling headphones in our test group, the Bose QuietComfort 2 and the Sennheiser PXC250. Although each set blocked at least some ambient noise, neither blocked all of it. Low-frequency noises (such as those of jet and bus engines) decreased significantly, but high-frequency noises persisted. And neither of these models was as effective as the ear-canal headphones, which, when properly fitted, blocked all outside noise equally well.

    Newsletters & RSSEmail to a friendSubmit to Digg
     All Topics | Email Article | | |
    Advertising Info | News & Events | Work at About | SiteMap | Reprints | HelpOur Story | Be a Guide
    User Agreement | Ethics Policy | Patent Info. | Privacy Policy©2008 About, Inc., A part of The New York Times Company. All rights reserved.